In the end, of course shelter would mean these versions of authors such as Jackson Browne (headlining the disc through the translation of ‘Call it loan ‘), Peter Gabriel, Rodney Crowell and Jackie DeShannon, anchored mainly in the 70s sound (though also with contemporary issues of Ron Sexmith and Fountains of Wayne), it became more complicated. “What was my surprise when this record has taken us two years who intends to make a Spanish version of a song in English, you know you do not usually authorize, because do not like:. Think that English is a global language because to ABBA sang in that language, “snorts Alvaro.
” The main thing was the letters, they had a faithful translation into our artistic parameters “he says of the adaptation process. “And the rest was great fun, because it was to return to our beginnings, our first album, we did versions in Castilian of the Who, The Jam, Flamin ‘Groovies .. .It is something that can allow a group that takes 37 years with guitars slung on their backs, “he says. Also, he says, they wanted to “pay tribute to a lost concept, which is the copyright not as well connected to intellectual property, but as part of the genesis of music”.
Regarding the repertoire, the youngest of the highlights Urquijo “‘When everything was fine’, which is an adaptation of” Hickory Wind ‘, composed for The Byrds Gram Parsons, and has been a great influence of the secrets in every way, because my brother Enrique Parsons drove him crazy and I happened to me the same thing with Roger McGuinn of the Byrds guitarist “. In fact, says the musician, “after meeting the Byrds we ignore the Beatles and we realized that there was a style between folk and country with a very different sound and also very different instrumentation: steel guitar , dobros, mandolin, 12-string guitars … A tonal world that we adopt immediately “.
” I think in the future, discuss the history of rock ’70s as the most creative years. It was all to time. And it was true, “recalls Urquijo. “David Geffen that everything ended when large multinationals, including oil, saw that music was enough money and entered the capital of the record,” he says. “And that’s when we enter another world, that of the charts, competitiveness with the number 1. But what prevailed was before quality. I am sure that now they would not have fit any of the musicians that are my personal Olimpo because neither was ‘commercial’ “.
” and Jackson Browne, the Eagles or the beginning or Cat Stevens … The ‘Eighties’ aesthetics, everyone is concerned, I hate . bad movies were made by removing some. And then the pints … Everyone who has a long career ashamed of that time because everyone did a little ridiculous things or getting into neo-romantic ‘techno’. We will not, we kept to our and by looking at the past decade, “he reaffirmed. “While some were ‘shadow here, beyond shadow’, with all due respect, we draw a song called ‘I can not imagine,’ cutting ‘country’. And you know what happened to us? That threw us”.
“All that way, it was very hard,” he concludes, “made us another generation. We were no longer the ‘Movida’. We did not go in ‘The Golden Age’ or ‘The crystal ball ‘. We were not avant-garde nor offenders, or dressed in the style of the time, nor had the desire to be stars. We just wanted to imitate our idols and making music simply “.
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