Thursday, May 14, 2015

Prado works stain Led – EntornoInteligente

The works of the Prado stain Led / World / The technology gives a new look in the Prado. The yellowing producing halogen lamps to artistic exhibitions gives way to a new light that will invade every corner of the museum. LED lighting is the new power. “The sharpness, color combination and volume of works is one of the results of the renovation plan,” he says proudly Marina Chinchilla, representing the gallery.

Project “Enlightening the Prado ‘. The name and describe its size. Today was released on the work of Antonio Gisbert (1895-1902) ‘Execution of Torrijos and his companions on the beaches of Málaga’, which denoted the dramatic change that produces LED lighting, offering a more natural tone front lighting the “old” halogen lamps. “This technology allows you to rediscover the museum” whisper people who watched the paint.

This reform plan is backed by the energy company Iberdrola, which has been the main benefactor of the project, with an investment of about 1 million euros. “The challenge is that light is able to adapt to all types of art venues and” describes Carmen Recio, Head of Arts and Culture of the Iberdrola Foundation. It ensures that, because of the magnitude of the project, have opted for an action plan to cover 14 stages “step by step” goals. “Today we released phase 0 and 1. The 2017 is the year of completion.”

Chinchilla and Recio specified the value of the “digital era” present in the Prado. “By replacing 2,500 lamps throughout the museum, 73% of electricity consumption per year would be reduced. Today we released 600. This is an example of commitment to the environment,”

The canvas’ Lovers of Teruel ‘Antonio Muñoz Degrain (1840-1924) has been an example of the projected sharp thanks to the lighting. “You can clearly see people who accompany the tragic denouement love Isabel de Segura and Diego de Marsilla. Truly the contemplative pleasure changed. Now the variety of colors seen” expose visitors.

After 49 tests on different substrates [canvas, board and paper] and sizes, the technicians determined that the new light retains the original composition of the piece. “The technology is based on conservation because it does not emit ultraviolet or infrared rays,” said Recio.

New nuances and new insights will be developed within the gallery. “We are approaching the bicentennial of the Prado and this is a great way to celebrate your hand history of technology”, describes the project representatives.

IveLeonardi

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