Neither the best nor the most fantastic dramas action cinema: what really caught the critical meeting in Cannes was the last animated film from Pixar: “Inside Out” by Pete Docter <. /> p>
A cheer as rarely heard in the festival today accompanied the end credits of this new work in which the author of the funny “Monsters, Inc.” and the wonderful “Up” again shine with a film about a girl of 11 who begins to become an adult.
“Inside Out” is about a girl, Riley, but actually the story It focuses on the emotions that are in your head. And those emotions, embodied in characters, are the characters of the film. Joy (joy), Fear (fear), Anger (anger), Disgust (ASCO) and Sadness (sadness)
When Riley moved from his native Minnesota to a new city, San Francisco, emotions are altered and lost joy, the engine that makes things always end up working. And Docter gets tackle the world of psychology without losing fantasy and imagination that his films have become unforgettable.
“Inside Out” is not a film for children, but for all those children who are on the age of the star, as well as for all adults.
“It is a film about childhood is abandoned, as one becomes an adult and what happens when that happens,” said Docter , who had the idea in the wake of seeing grew his daughter and the need to understand it.
From there he began working with psychologists, psychiatrists and neurologists to make up this story about emotions and what is your work.
“We had to simplify everything especially for adults, young understand everything,” said Docter.
“We wanted to do something about what everyone Everyone knows, but had not seen before, “summarized John Lasseter, creative director of Disney Animation Studios and Pixar.
” Inside Out “is shown outside competition in the French event, which has also scheduled the next day the premiere of the animated adaptation of “The Little Prince” by Mark Osborne (“Kung Fu Panda”).
No comments:
Post a Comment