“By mutual disagreement” enters the Fine Arts: flesh and mood … – EntornoInteligente

ABC of Spain 2 / Marriage twelve years of Sandra and Ignacio had no choice but to divorce. But they can not say definitively goodbye: have a nine year old son, Sergio, forcing them to be more than we would like, to have no choice but to be understood as fathers. This, certainly nothing strange in today’s society where marital breakups are the order of the day, is the basis of the new part of the playwright and novelist, with titles for adults and youthful literature Fernando J. López. After a successful tour, De mutual disagreement goes to the tables Theatre Fine Arts in Madrid, Quino Falero directed by and starring Toni Acosta and Iñaki Miramón. It will remain in poster April 1 to May 31.

Fernando J. López explains the origin of the work: “It came from conversations with friends who are going through this difficult and witnessing in talks I give as an author of novels for young time Many teens tell me their experiences. tell me that the separation of their parents felt like some kind of a weapon. I thought it was necessary to address the matter, and it was not too treaty, especially from the point of no caricature or parody or Manichean view. ”

Neither heroes nor villains Indeed, it is not a piece of good and evil, as emphasized by the playwright. “I try to understand the two characters, as everyone has their reasons, their truth I think the people around us are not heroes or villains. Not only in this work, but in general in my theater, I’m interested in presenting normal people, with which we can all identify ourselves, although we do not find in the specific situation that reflects the part. Sandra and Ignacio have at all times very narrow and selfish behavior, with great generosity. So there are various shades, nothing is flat, a carousel of emotions, starting with the initial anger, for the work begins with the recent divorce and very open wounds occurs. They have to learn to live with it. Like Sergio, his son, who appears symbolized as a backpack, as these children-backpack speaking sociology. Sergio is not on stage, but plays a decisive third character, encontranazos trigger of his parents. In the work I wanted to give visibility to other families of the century “.

Without doubt, one of the strengths of this” bitter comedy “, as defined by its author, is the rate that Quino Falero dominates masterfully and interpretations of Acosta and Miramon. And. in particular, a mood that qualifies Fernando J. Lopez, “leaves a residue leads to reflect on this conflict raw, in which I wanted to get away from the moralizing and topics and make a present reality theater “

Information ABC of Spain 2 .