Cannes, France –
The work of programmers of 69 Cannes, France , which occupied day and night for less than a year, will be up to 22, topic of conversation and discussion within the world of cinema, both which closely follows filmmakers as for those interested in the privacy of celebrities.
No wonder: Cannes convene today to applauded by those who put in the foreground the film “mainstream” as the cinefilia analysis in depth, which favors Independency, because it is the concentration of all why, technology or so, will not fail to be called cinema. In this multiple glance to be made to the sample led by Thierry Fremaux, there will be names like Steven Spielberg and Robert De Niro, Pedro Almodovar and Bruno Dumont, Olivier Assayas and Asghar Farhadi, Jodie Foster and Jim Jarmusch, Susan Sarandon and Geena Davis .
the official selection at Cannes this year calls for the opening to “Café Society”, the third film of Woody Allen arriving at the podium, and the international press can just access a day after your pass at the inaugural gala reserved exclusively for vIP guests.
While this story running in the 30s Allen does not compete, the official selection bid Palme d’includes this year filmmakers who have a history, and awards in their backpacks, making it one of the most glittering, a priori, the last delivery.
While the two official selections of Cannes together some 40 feature films, the total number of films, including short, round about 200 proposals ranging from world premieres to fifty classics.
As for decades, Cannes adds glamor evening performances in the Lumiere Room, with red carpet, lights and hundreds of photographers dresses rigorous same label that the stars around the world, some tips that are the spice of each day.
Cannes brings together in a single source, the Palace Festivals and few branches nearby, thousands of producers and buyers from around the world, about 5,000 journalists, special guests and many tourists, because the city is tourist par excellence.
most of 30 million euro budget reflected in an obsessive organization, where everything should work synchronously, noting important safety controls that respond to buildings designed to the last detail for quick and orderly flow. Two monumental cinemas, complementary, a huge room fully equipped press, another with art computers, space for press conferences, about 2,000 lockers for use by accredited and photocall open pit are part of that world full for 12 days a year.
However, it is remarkable growth the festival that takes 69 deliveries had in recent years, especially in international coverage, which leads to the edge of the burst to the office press and projections for this group, that have forced changes in the grid.
color notes are also repeated, as ad hoc groups with mono- -they dressed asking knowing tickets that producers must return that have surplus or delivery for use on pain receive penalties of not being occupied.
Everything is ready, red carpets and digital equipment that will project over and over again before each proposal the spot with those other steps emerging from the sea and up to a starry sky, with Camile Saint Saens background, inviting the best cinema.
the films in competition
“Juliet”, Pedro Almodovar (Spain)
“Toni Erdmann,” Maren Ade (Germany)
“American Honey”, Andrea Arnold (UK)
“Personal Shopper”, Olivier Assayas (France)
“La fille inconnue (The Unknown Girl)”, Jean-Pierre Dardenne, Luc Dardenne (Belgium)
“Juste la fin du monde (It’s Only the End of the World)”, Xavier Dolan (Canada)
“Ma loute (Slack Bay),” Bruno Dumont (France)
“Forushande (The Salesman),” Asghar Farhadi (Iran)
“Mal de pierres (From the Land of the Moon),” Nicole Garcia (France)
“Vertical Rester (Staying Vertical)” Alain Guiraudie (France)
– “Paterson,” Jim Jarmusch (USA)
“Aquarius”, Kleber Mendonça Filho (Brazil)
“I, Daniel Blake,” Ken Loach (UK)
“Ma” Rosa “, Brillante Mendoza (Philippines)
“bacalaureat (Graduation)”, Cristian Mungiu (Romania)
“Loving”, Jeff Nichols (USA)
“Agassi (The Handmaiden),” Park Chan-Wook (South Korea)
“The Last Face”, Sean Penn (USA)
“Sieranevada” Cristi Puiu (Romania)
“Elle”, Paul Verhoeven (Netherlands)
“The Neon Demon”, Nicolas Winding Refn (Denmark).
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