Cannes . Russell Crowe and Ryan Gosling have chemistry on screen, but above all can be two comedians, as demonstrated today in The nice guys , a thriller in tone of comedy that has managed to catch much of the critics at the Cannes Film Festival.
Crowe is a tough guy who is paid to give beatings, while Gosling is an inefficient private investigator whose life is governed by his daughter preadolescent (the Australian Angourie Rice).
the disappearance of a girl in Los Angeles will end up investigating the same case and working for an evil woman (Kim Basinger).
Shane Black, screenwriter of lethal Weapon , directs these two tough guys in a film set in the late 70s in your opinion, it has been an immense fortune to unite these two actors “because they do it better than anyone in the world”
Specializing in action films, Black wanted to roll back to the time when Earth Wind & Dev. Fire filled dance floors with “September”, a time when Los Angeles was “the fate of dreamers in the United States,” even though the city was a hotbed of corruption and facing a very tough time.
Black, who dedicated to Mel Gibson and Danny Glover as domestic partners in the world of action, get a new new duo with potential to become a saga.
asked about the meeting with the press, Gosling asked immediately for wages, while Crowe was more reluctant and said he had no time.
Crowe, who puts fists, and Gosling, a limited intellect, show that version of antiheroes. Used to seeing in dramatic roles, surprising the comic side of Crowe. “Russell is a great actor and can do anything,” said Gosling.
The nice guys is a thriller without further aspiration to have a good time to the public. And it does.
Less enthusiasm raised the work of Andrea Arnold (UK) and Nicole Garcia (France), each filed films in competition ( American honey and Mal de pierres , respectively), focusing on women determined to take charge of their destiny.
Arnold had to hear the first boos of this 69 French edition of the contest. Nor enthused love fou (crazy) feels Marion Cotillard in Mal de pierres , although it was applauded.
Nicole Garcia is inspired by the novel of Italian Milena Agus Mal di Pietre to bring to the big screen the desire felt by a woman.
the film is set in the 50s of last century and the film tells the story of a woman (Marion Cotillard) from a village in southern France trapped in a marriage with a man (the Spanish Alex Brendemühl), she does not love.
During a cure meets a veteran of Indochina (Louis Garrel), which falls in love passionately. “When I read the novel I loved the character. She’s complex, contradictory, a little wild,” said the author of Selon Charlie or L’Adversaire, also competed in Cannes.
the actress said that you attract “things that have not yet explored,” and touched a character with such passion, “the story of the girl who is in a kind of prison “. Cotillard aspires to the award for best actress twice in Cannes, where he also co-stars Juste la fin du monde , Canadian Xavier Dolan.
On the other hand, Andrea Arnold had so far had a successful spell at the Cannes Film Festival.
Filmed in the United States, American honey is a road movie with lots of music. The camera follows the roads of America a young woman (newcomer Sasha Lane) of a dysfunctional family in Texas, who joins a group of young rootless (including Shia LaBeouf) that life is seeking to sell magazine subscriptions house at home, in neighborhoods affluent large cities in the south of the country.
the director, who has distinguished social character of his works, almost all very attached to reality, offers a damning portrait of a generation with no prospects.
LaBeouf, the only professional actor in the cast, said Arnold is one of the best directors in the world for its sensitivity and peculiar style of work .
No comments:
Post a Comment