Saturday, September 24, 2016

Day marathon in the closing ceremony of the San Sebastian film Festival – Prensa Latina

September 24, 2016, 12:21San Sebastian, Spain, 24 sep (PL) The last day of the Zinemaldia is live today on a schedule that seems to be much more intense, even the inaugural.

The Odyssey, the film written and directed by French Jérôme Salle, was the film chosen for the closing of the Official Section, out of competition of the 64 edition of the International Film Festival of San Sebastian, in Spain.

Headed by Lambert Wilson, the film revives the life of the pioneer of the exploration and filming subacúatica Jacques Cousteau (1910-1997) with the dual intention of redeeming her figure as much as desmitificarla.

join Wilson, sheathed in the role of commander Cousteau, the young Pierre Niney, in the character of his son Philippe; and other well known faces of cinema in French as Audrey Tautou and Laurent Lucas.

however, other projections, will happen also in the rest of the rooms in the circuit of the festival of san sebastián, among which are Invisible, project-driven and dominated by the american Richard Gere and is about the lives of ‘homeless’ new yorkers.

From the Velodrome will revive the customs of dismissing the appointment of a film with two other passes: Goat and sheep, in short from Spanish director Kike Maíllo, with a script by Daniel Sánchez Arévalo; and arrival (Arrival), the canadian Denis Villeneuve, well received both in Venice and here in San Sebastian, included in the section Pearls.

the section Horizontes Latinos repeat the long The Christ the blind, the chilean Christopher Murray; and The wild region, the mexican Amat Escalante, who also comes from winning best director at the Festival.

Both filmmakers will attend to their respective presentations, then participate in a discussion with the public.

in Addition, the Main room will especially the titles they conquered as the prize Irizar in the basque cinema, the Kutxabank of New Filmmakers and the Eroski Youth, in roles that were reserved by blind moviegoers.

jha/apc

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