Venice .- The Venice Film Festival closed yesterday its 72nd edition with an approach to the wildest face of capitalism in China ( Behemoth ) and a tour of Naples in black and white ( Per amore vostro ).
Criticism applauded the Chinese director Zhao Liang, who has been under the French flag a stark, dreamlike documentary about the consequences of consumerism.
Zhao, video artist and filmmaker, complements his long shots with texts inspired by The Divine Comedy , a work that, in view of the filmmaker, is just as valid today despite It was written seven centuries ago.
Zhao’s film was well received, while the Italian “Per vosto love” divided critics.
The director Giuseppe Gaudino, who has worked mainly in the documentary, brought to Venice the story of a love of Neapolitan house, Valeria Golino, who gets free from the shackles of a husband who can not love her or communicate with her family.
The Italian film closes an issue to be dismissed without big favorites defined, although there are several films that have earned the favor of critics and most stories are curiously approaching the documentary, such as Francophonie , the Russian Alexander Sokurov.
We also made a good impression the film essay by the American artist Laurie Anderson in Heart of a dog and Rabin, the last day , in . Amos Gitai which recreates the assassination of Israeli Prime Minister Yitzhak Rabin’s assassination and research
In palmares could also include Anomalisa , Charlie Kaufman and Duke Johnson; 11 minutes by Jerzy Skolimowski.
Among the actors, could include the Chilean Alfredo Castro for his role as lone man in a Caracas effervescent composing for From there , the first Venezuelan film that competes in Venice. However, he also liked the frenetic Ralph Fiennes A Biggler splash , and the young star of Beast of no nation , Abraham Atta, who excited in the cruel story of the child soldiers who signs the US Cary Fukunaga.
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