Thursday, September 24, 2015

The Prado exhibit the “best Bosco” in the fifth centenary of his death – Terra Colombia

“Irreplaceable, the largest conducted and the largest one ever done on Bosco” the exhibition will host the Prado Museum from May to September 2016, on the occasion of the V centenary of his death, meet 35 of his works, organizers announced today.

“The Prado wants to give people the best possible Bosco,” he said during the presentation of the museum’s deputy director, Miguel Falomir, who noted that the sample will “contemplation of Bosco at its best and highest record “as the triad of” Triptych of San Antonio “,” The Adoration of the Magi “, restored for the occasion, and” The Garden of Earthly Delights. ”

It’s like gathering “The Surrender of Breda,” “The Spinners” and “Las Meninas” by Velazquez in a sample “exemplified Falomir.

In” Bosco. The Centennial Exhibition “65 works, of which 35 are signed by the Dutch painter, from the collection of the Prado and other institutions and European and American museums gather.

Curated by Pilar Silva and sponsored by the BBVA Foundation, the exhibition will travel from Bosco hometown so influenced him, Hertogenbosch, and their peers to influence projected painters like Dali.

“We call the Centennial Exposition because it will be a milestone in the exhibitions of the artist. Our museum is the only institution in the world that can summon the largest collection of the artist, by our funds and others, but also the expertise that holds about him, “today said Prado director Miguel Zugaza.

Adding that “never again will bring these works, certainly,” he said “it is one of the most important challenges the museum has been raised,” which has already put on sale for a sample It is expected to visit people coming from across the globe.

For those who can not enjoy this “international event” is shooting the documentary film “Dreams of Reason. Speaking to The Garden of Earthly Delights “, under the direction of Jose Luis Lopez Linares, brings together historians, artists and intellectuals who” continue the conversation begun in the Nassau court 500 years “about the famous triptych.

From this table, Zugaza stressed “the force that transcends the recognition of his extraordinary originality, vision of human nature we still intriguing and disturbing” and perhaps one of the best examples of “the rarity and uniqueness of Bosco “.

This great exhibition can enjoy the work of one of the painters with more personality in history, according Falomir, which makes it possible” to identify his paintings seeing only a fragment, thanks to a singular and nontransferable style, with a look and a own universe. “

The deputy director of the Prado also noted that Spain was one of the countries where most fame enjoyed” in 80 or 90 years later after his death, thanks to collectors as Felipe de Guevara, who then bequeathed to Philip II, the largest collector Bosco “.

And though his fame waned, recovered in the twentieth century when psychoanalysis and surrealism analyzed their intriguing work, so that “it was not reduced to the Upper Room of the experts, it became is the most popular of the history of painting, which have been used since Walt Disney to a brand of German car “.

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