The exhibition ‘The infinite Borges’ reunites in this capital objects and documentation that trace the life of Argentine writer, which family data is displayed, their relationship with other writers, with cinema, art and friends.
The House Amà © rich and Museum writer exhibit this capital until next May 22 more than 300 different and original pieces, some of them belonged to the writer and his family, and others related plotting a story of Jorge Luis Borges (Buenos Aires, 1899-Geneva, 1986).
in an interview with Notimex, the curator of the exhibition Claudio PÃ © rez explained that the purpose of the exhibition is to raise awareness across © s of documents and objects more complete vision on literature, family and relationships writer.
He explained that objects tell a story, and that is data, traces and clues that some connect to other and form a whole argument.
‘I think it’s one of the most exhibitions complete that have been made about Borges, we have tried to cover all facets author in collaboration, prologuista, lecturer in the press, relationship with cinema ‘, apuntó.
Consideró which is one the most fascinating characters in literature, and therefore called’ Infinite Borges’ all the possibilities offered by many of the objects on à © l.
also © n curator of the exhibition and director of the Museum of the Writer’s Center of Modern Art in Madrid, Raul Manrique, commented that ‘Borges has become almost a myth ‘and the exhibition offers little known things from him © l.
Destacó some parts of the sample, such as a copy of the book’ the Aleph ‘that perteneció Julio Cortázar, dedicated by the author; another of ‘The Prose of Borges’ that perteneció Juan Carlos Onetti, or one that the Argentine dedicó to Ramon Gomez de la Serna.
It added that the most ancient parts is a letter from President Domingo Faustino Sarmiento’s grandfather Borges 1874, which is the first time it is shown, while the new more a portrait of Hermenegildo Sábat especially for this exhibition.
the exhibition shows the vinculación with other writers Julio Cortázar, Ramon Gomez de la Serna, Juan Carlos Onetti and Ernesto Sábato, posters, film criticism, family paintings, drawings authors of covers of his books.
It also highlights Borges photographs, first editions of some of his works, press articles, publications that participó in the prologue, in which colaboró magazines like ‘Destiempo’ who created with Adolfo Bioy Casares.
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