Were announced today as candidates for the awards Spanish to the best of the seventh art; a film and an argentine actor are within the selected
Names argentine rang strong in the nominations for the Goya awards, 2017 . On the one hand, the actor Rodrigo de la Serna , who was one of the chosen to fight in the category of best actor revelation for their participation in the co-production Spanish-argentina one Hundred years of forgiveness and on the other, the directors Gastón Duprat and Mariano Cohn, as his film The illustrious citizen will fight for the prize for best ibero-american film.
The film that leads the nominations is A monster comes to see me, with 12 possible nominations and is the favorite.
below, all of the nominees:
BEST DIRECTION
J. A. Bayona by A monster comes to see me.
Pedro Almodóvar by Juliet.
Alberto Rodriguez by The man of a thousand faces.
Rodrigo Sorogoyen by That God will forgive us.
BEST ACTRESS
Emma Suárez by Juliet.
Carmen Machi, for The door open.
Barbara Lennie, by Mary (and others).
Penelope Cruz, The queen of Spain.
BEST ACTOR
Eduard Fernández, by The man of a thousand faces.
Roberto Álamo, by That God will forgive us.
Antonio de la Torre, for Late for the wrath.
Luis Callejo, Late for the ira.
BEST FILM
The man of a thousand faces.
Juliet.
may God forgive us.
Late for the ira.
A monster comes to see me.
BEST ORIGINAL SCREENPLAY
Jorge Guerricaechevarría, one Hundred years of forgiveness.
Paul Laverty, for The olive.
Rodrigo Sorogoyen and Isabel Peña by That god will forgive us.
Raúl Arévalo and David Polished by Late for the ira.
BEST ADAPTED SCREENPLAY
Alberto Rodriguez by The man of a thousand faces.
Pedro Almodóvar by Juliet.
Paco León by Kiki, the love is done.
Patrick Ness by A monster comes to see me.
BEST supporting ACTRESS
Sigourney Weaver, A monster comes to see me.
Terele Pávez, door open.
Candela Peña, for Kiki, the love is done.
Emma Suárez, for The next skin.
BEST supporting ACTOR
Karra Elejalde, for 100 meters.
Javier Gutiérrez, The olive.
Javier Pereira, That God will forgive us.
Manolo Solo, by Late for the ira.
BEST ACTRESS
Silvia Pérez Cruz, Near your house.
Anna Castle, for The olive.
Bethlehem Costs, by Kiki, the love is done.
Ruth Diaz, in Late for the ira.
BEST ACTOR DISCLOSURE
Ricardo Gómez, for 1898: The Past of the Philippines.
Raul Jimenez, by Late for the Ira.
Carlos Santos, The man of a thousand faces.
Rodrigo de la Serna, for 100 years of forgiveness.
BEST NEW DIRECTION
Salvador Calvo, in 1898: The Past of the Philippines.
Marc Crehuet, The king one-eyed man.
Nely Reguera, by Mary and the others.
Raúl Arévalo, by Late for the ira.
BEST cinematography
Álex Catalán, for 1898: The Past of the Philippines.
José Luis Alcaine, for The Queen of Spain.
Arnau Vaulls by Late for the Ira.
Oscar Faura for A monster comes to see me.
BEST EUROPEAN FILM
The book publisher.
The son of Saul.
Elle.
I, Daniel Blake.
BEST DOCUMENTARY SHORT
Heads habladoras.
Hope.
Words of caramel.
The Resurrection club.
BEST ORIGINAL MUSIC
Julio de la Rosa, for The Man of a Thousand Faces.
Pascal Gañé, The olive.
Alberto Iglesias, by Juliet.
Fernando Velázquez, for A monster comes to see me.
BEST ORIGINAL SONG
“Discovering India”
“Ay Ay Ay” – “Near your house”.
“Death” – “Fragile”.
“KikI” – “Mr Kiki”
BEST IBERO-american FILM
Anna.
from there.
The illustrious citizen.
chosen.
BEST SPECIAL EFFECTS
1898: The Past of the Philippines.
Guernica: The Movie.
Juliet.
A Monster comes to see me.
BEST SOUND
1898: The Past of the Philippines.
The Man of a Thousand Faces.
Ozzy. The film.
A monster comes to see me.
BEST ANIMATED SHORT film
Darrel.
Decorated.
Made in Spain.
FH.
BEST COSTUME DESIGN
Paola Torres, 1898: The Past of the Philippines.
Lara Huete, The Queen of Spain.
Cristina Rodriguez, do Not Blame Karma for what happens to you by assholes.
Alberto Valcárcel and Cristina Rodriguez, for Late for the Ira.
BEST SHORT film
blah blah Blah.
On the roof.
Graffiti.
The invitation.
Time Code.
BEST MAKEUP AND HAIRSTYLING
Alicia Lopez, , 1898, The last of the Philippines.
Yolanda Piña, for The man of a thousand faces.
David Martí and Ana López-Puigcerver, by Juliet.
Daviv Martí, A monster comes to see me.
BETTER PRODUCTION management
in 1898. The last of the Philippines.
The man of a thousand faces.
A monster comes to see me.
The Queen of Spain.
BEST editing
Jose Maria G. Moyano, The man of a thousand faces.
Fernandr Franco, That God will forgive us.
Bernard Villaplana, A monster comes to see me.
BEST PRODUCTION DESIGN
Carlos Bernases, , 1898, the last of the Philippines.
Manuel Ocón, The man of a thousand faces.
The queen of Spain.
A monster comes to see me.
BEST DOCUMENTARY
2016 Born in syria.
Bosch: The garden of dreams.
Fragile balance.
Omega.
BEST ANIMATED FILM
Ozzy. The film.
Psiconautas.
Teresa and Tim.
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