Mumford & amp; Sons are in charge tonight starring the star concert on the first day of BBK Live, which celebrates ten years with a performance full of energy that has infected thousands of people who have enjoyed the British.
A Mumford and Sons have been given the same format, plugged or without electricity, have managed to throw a party in the meadows of Kobetamendi (Bilbao) with a concert that has enjoyed, and how to His followers, especially with the themes of his first two works.
The intensity they bring to their songs, those songs that saved the best for last and do not allow static bodies in front of the stage made the performance a party that did not lack intimate moments.
The British have begun the concert ‘plugged’ with “Snake eyes” the subject of his latest album that starts with shyness, which grows in intensity slowly, until the guitars take over everything and that has He has been enthusiastically received by his followers.
Marcus Mumford and his section have left their last album momentarily to return to themes of his first two works, far from electric guitars, with “I Will Wait” which has raised public to mobile phones air to catch the moment, and “Below my feet”.
They continued with, among others, “Lover of the Light”, with Marcus on drums, “Thistle & amp; weeds” and “Ghosts That We Knew,” which laid the intimate moments of the concert before make way for two of the plugged songs from his new album, “Belive” and “Tompkins Square Park.”
After an invitation to the public to dance by Marcus, who dared to Castilian and Spanish, sounded “The cave” and “Roll away your stone” with those who showed they are not needed electric guitars to blow the audience.
By the end, before the required encores have been “Ditmas” one of the songs on the new album that has blown up and sing to the public and where the singer has fallen from stage to approach the public, and “Dust bowl dance”.
They returned to jump on stage to give the “Hot Gates” from his latest album, a moment to relax before attacking ‘Little Lion Man’ with which led to the highest party with the public dancing, jumping, singing as loud in the meadows of Mount Kobetas.
The stag night was held by “The wolf” who transformed the party into a rock festival folk all the way, with wild guitars and powerful battery that left the audience satisfied by the vivid evening in the company Mumford and Sons.
Until appeared on the main stage the stars of the evening, the audience could enjoy in the second stage of the flameproof enclosure Counting Crows, with over 20 years in the world of the rock behind him.
Adam Duritz and his band, who came with his seventh studio album in your pocket, “Somewhere Under Wonderland”, offered a good concert with songs like “Scarecrow”, “Colorblind” the inevitable “Mr . Jones “or” Rain King “with which they heated the atmosphere.
Before the main stage hosted the American Future Islands that from the moment of going on stage undertook to give a more enjoyable pace pop concert to an audience whose numbers increased as they ran the acting.
But if anything highlights Baltimore live, and have been seen in the BBK Live, is the personality of the singer Samuel T. Herring and that his way of interpreting songs with a outrageous theatricality, some crazy dance moves and painful blows to the chest.
Herrig has sweated a great time, has not stopped for a moment, and has spread its vitality to the public that has been listening to some notable pieces by ‘synthpop’ as the ballad “A song for our grandfathers” “Doves” or the catchy “Seasons (Waiting on you)” very echoed by the public.
The second day of the tenth BBK Live music will fill the mountain, with a dozen proposals, among which The Jesus and Mary Chain, headliner of the day, which will continue Alt- J and Ben Harper and The Innocent Criminals.
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