Monday, October 13, 2014

Joe Dante, the myth of the eighties cinema, closing Sitges’ Burying the … – eCartelera

The film ‘Burying the Ex’ starred yesterday the official close of the 47th Sitges Film Festival attended by director Joe Dante in the Catalan town, which has hosted nine intense days of cinema for almost every palate. Dante also had a meeting with the public to present a special screening of the eighties classic ‘Gremlins’ undoubtedly probably the most loved and most memorable of his irregular filmography your movie.

‘ Burying the Ex ‘is a horror comedy starring Anton Yelchin, who plays a young man whose girlfriend dies hit just as he was about to leave. Once recovered from the trauma and trying to rebuild their lives and with attractive Alexandra Daddario, the protagonist receives an unexpected visit from his exnovia body , which is not willing to give up the promised eternal love. Entertains but leverages its crazy premise that transcends divertimento forgettable distraction.


‘The Signal’ was one of the last films projected in the official competition section and the award is the best wore yesterday special effects. This is an interesting intrigue of science fiction about three young men who, seeking the trail of a hacker who sneaks recurrent in their connections, end recluses mysterious research center that keeps isolated. Film modest intentions, good packaging and visual resultón final twist. The protagonist is the young Brenton Thwaites that we saw in the terrifying ‘Oculus’.

Out of competition and absolutely foreign to the fantasy genre, ‘The Tribe’ was one of the most talked about films of yesterday. Winner of the Fortnight in Cannes, is a Ukrainian film end in which the only dialogues occur in sign language as their protagonists are A group of young deaf living in hostile boarding school, where abuse and the reporting relationships between the inmates themselves mark the day. Violence is sadly as universal language imposes a hard story genererá explicit rejection and enthusiasm in equal measure.


ended up talking about ‘What we do in the shadows (What we do in the shadows)’ won the Audience Award at the festival. This funny prank Zealand , tells the humorous story of a group of vampires who share house in the city of Wellington. The unexpected arrival of a new member to the clan, will revolutionize the group and will compromise your anonymity. Continuous laughter during its projection support the effectiveness of a film you have time stop laughing derisively of the most recent successes of the vampire genre.

The festival runs Angel Lounge closes its 47th edition as incontestable reference panorama fantasy film . However, we still do not understand some of its intention to go beyond the limits of the genre to include the fantastic works outside, threatening something so important to forge a personality contest as the consistency of programming. We regret having to refer once again to blackouts in the Auditorium and delays at the beginning of the projections, we understand given the dimension of the Festival, but often not accompanied by any apology from the organization. Correctable erasures that fail to dampen the charm of an established festival, with the full support of a hearing given

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