Saturday, August 8, 2015

Mission: Impossible secret nation – ElEspectador.com

 
 


 

 

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Felipe González Serna
 

Mission: Impossible secret nation

 

By: fgonzalezse

 

                                 
                                                                                 
                                             


                                                 

                                                     
         

                                                 


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The show must go on. Are not enough nearly 20 years of franchise, nor the two television series that created a legion of fans. Always it needs more. The fifth installment of Mission Impossible does not bring anything unexpected or particularly novel. It entertains and effectively achieves its goal rightly even if it is a fantasy that often rub the absurd. Mission: Impossible secret nation is like a circus, without creating anything, fun transiently. Functional and empty, the biggest advantage of this sequel is knowing focus the viewer’s attention in controlled action sequences, and occasionally surprise us with some clever trick. The skilful treatment in these points of director Christopher McQuarrie saves a story that is just a generic tissue variations. Probably, therefore, not be surprising that the threat to the heroes of the film consists facing an organization that seeks alter the world order. Changes to propose something different from the routine with the Impossible Missions Force (IMF if they believe it is a joke, it is not) must be prevented. Best kept in the poor world of the known. That said, we must recognize that the sequel know recycle elements of action films to provide that for which it was created, mere entertainment .

In the manner of television, the film opens with a sequence that is not directly related with the central plot: Ethan Hunt (Tom Cruise) and Benji Dunn (Simon Pegg) recovered some weapons that were to be carried on an airplane to a terrorist group; the promoted image that appears dramatically Cruise hanging from a plane (in each new tape seems to be juggling more reckless as to avoid loss of wonder the public). And introduced the kind of action we will see, is the plot as an excuse: the shadowy organization of Union Ethan catches on as part of a devious plan to create chaos. At the same time, Alan Hunley (Alec Baldwin), head of the CIA, gets the absorption of IMF endorsement to catch Hunt, who is an agent believes that it has become dangerous to world order. When Hunt can escape thanks to the dual British spy Faust beautiful Ilsa (Rebecca Ferguson) has to face both be pursued such as tracker Union and its leader, Solomon Lane (Sean Harris). Nothing is impossible for Ethan, in any case, and with the help of Benji, Luther (Ving Rhames) and Brandt (Jeremy Renner) try to destroy the union and reinstate the IMF (thank goodness we are not talking about economy). The development has a pair of absorbent for his suspense sequences, in particular that which takes place in the Vienna State Opera, with Hitchcockian inevitable parallels. The outcome, however, shows no such skill and merely be the solution that makes the scheme, one that is both stiff and hasty. Mission: Impossible secret nation is a tape recycling with touches of wit and effectiveness corset commercial action films. For an example, we can take an interesting game that proposes to use the intertitles McQuarrie identified with each of the cities featured in the film to surprise the viewer with information that has not seen. This is not constant, however, the tape rather resort to known models and also to honor the mythical past of Hollywood. Therefore the spy Ilsa go to a mission in Casablanca. The truth is that not only the past is any guide, but also rule. In the film dutifully conventions are followed without question .

The survival of tapes Mission Impossible has its surprising overtones. Far from the context where propaganda was another story adventures, the franchise has remained a conservative conspiracy story is that increasingly scratched similar to the strategies to catch their villains absurd. Still, the variation that each director has introduced the schematic content of the tapes is a positive element, since almost authorial mark of the first to make De Palma pragmatic approach to McQuarrie today. Yes, always with a dose of circus acrobatics, written not as critical, Cruise undertakes to perform for each delivery. Now, perhaps the film’s aspirations go beyond mere entertainment. Music use Turandot as a counterpoint in the Viennese theater scene, the best of the film, says that it is a kind of opera action. The result is rather operetta action. A delightfully entertaining and forgettable film, a film jealously attached to their scheme. Finish worth noting that the first film of the franchise challenged a bit, just a little, the scheme wanted to return to the original agent Phelps series villain occasion. A surprise that inaugurated the series and which is no longer present. Unalterable has followed the show in which nothing is transformed. While Hunt and his team prevent Otherwise, almost as if it were a metafiction, and we’re willing to accept it, we will be safe from disorderly conduct (of the story). Do not understand this as a complaint to this sequel, if at all. Mission: Impossible secret nation works well as a film of mere entertainment. What is worth remembering is that there are other theaters that are increasingly rare in the US which offers commercial cinema, cinema that feed on the surprise and the changes .

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Category: action, blockbuster, gender

 


 

 

TAGS:
  -conventional -circense changes -depalma -mcquarrie -misionimposible5 -Opera

 


 

 

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Felipe González Serna
         

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focusing degree in English philology at the National University. Acutely ill cinefilia literature and suffers terribly when he can not devote full time to give in to these addictions …

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