A monster comes to see me swept the Saturday with nine Goya Awards, including best director for Juan Antonio Bayona, but the honor of the best movie went to Late for the wrath, the debutant Raul Arevalo, while Emma Suárez made history as the second actress doubly awarded at the same ceremony.
Late for the wrath, a tale dark and delves deeply into the human misery of vengeance, won him the prize for best new director Arévalo, until now known only as an actor, as well as the award for best original screenplay. Also garnered recognition for best supporting actor, Manolo Only for his brilliant interpretation of an offender politoxicómano of the low funds.
“What I share with my co-nomination, to my colleagues for helping me to realize my dream,” said Arévalo.
A monster comes to see me, a fantasy that weaves the harsh story of a pre-teen tormented by nightmares very real as she deals with the terminal illness of his mother, it started with force in the gala of the Spanish cinema and collected seven first prizes to be awarded to nominations: production management, art direction, makeup and hairdressing, photography, sound, special effects and music.
His first defeat came with the award for best supporting actress for Suarez, who with her maternal role in The next walkl overcame to Sigourney Weaver. The Spanish was also awarded as best actress in a leading role for her work in the harrowing Juliet of Pedro Almodóvar, in which he plays a mother in search of the daughter that he abandoned years ago. Suarez is only the second actress to achieve the feat, after Verónica Forqué is jacked with the two awards in 1987.
After collecting the statuette for best mounting for A monster comes to see me, Bayonne was also the Goya for best director, but the rookie Arévalo savored the final award of the gala, which was marked by the tone of social vindication of many of the films nominated, as well as the players that took to the stage.
“I’m proud to belong to the family of Spanish cinema. The prize is to dedicate it to my father because he taught me how to use the pen, and the love of cinema and culture. Without culture we would be unable to express what we are and what we feel”, said an excited Bayonne after accepting the award for best director.
the award for The best leading actor went to Roberto Álamo for his role of police inspector in search of a serial killer is on the tape God forbid, and the award for best actor revelation was Carlos Santos for their work in The man of a thousand face“, thwarting the hopes of the argentine Rodrigo De La Serna, nominated for his disturbing interpretation of a bank robber in one Hundred years of forgiveness.
The Goya for best Ibero-american film went to argentina The distinguished citizen of Gastón Duprat and Mariano Cohn, on return to the hometown of a writer consecrated; and the best european film for the French Elle, Paul Verhoeven, in which Isabelle Huppert leaves in search of the stranger who raped her.
The gala, held at the Marriott Auditorium of Madrid, was presented by the actor from malaga, and Dani Rovira, who started contacting the nominees featured, and lost no occasion of making a particular allusion to the restrictive policy of the new president of the united States, Donald Trump, against immigration.
“Mr. Trump, if we are seeing, here movie is written with an ‘i’ Latin,” said Rovira.
The actress Silvia Pérez Cruz, who won the award for best original song for Ai, Ai, ai, the musical of complaint About your home, moved then to the assistants when you pick up your statuette and sing a cappella as a tribute to the terminally ill Spanish.
The award for best documentary went to Fragile Balance, which recounts the plight of contemporary humanity with reflections of the former president of Uruguay, José Mujica. Its director, Guillermo Garcia-Lopez, highlighted the contribution of the political south american in a sense acceptance speech.
“This award belongs to in the first place, Pepe Mujica. Thanks for shedding some light in these times of darkness”, he cried out Garcia-Lopez. “It also belongs to all the immigrants who continue to lose their lives in deserts, seas and fences. Enough already of lifting borders and evictions”.
The Goya of Honor went to this occasion in the figure of the actress and singer Ana Belén, visibly moved by the recognition of his long career.
“In Spain it does a very good film,” said the artist in his acceptance speech before noted that, although “the situation is better than it was 50 years ago… there still fewer women than men in the film.”
“If it wasn’t for lack of women to interpret women, not even we would be that we are” criticized Ana Belén. “Health and work for this profession that does not deserve both contempt for their rulers”.
This is the complete list of awards by their order of delivery:
BEST NEW director: Raul Arévalo, by “Late to the anger.”
BEST DIRECTION of PHOTOGRAPHY: Oscar Faura for “A monster comes to see me”.
FOR BEST SHORT FICTION: “Timecode”.
for BEST MAKEUP AND hair: Marese Langan and David Martí, “A monster comes to see me”.
BEST ART DIRECTION: Eugenio Caballero, “A monster comes to see me”.
the BEST FILM OF ANIMATION: “Psiconautas, the forgotten children”
BEST ANIMATED SHORT: “Decorated”.
BEST ACTOR REVELATION: Carlos Santos, “The man of a thousand faces”.
BEST ORIGINAL SONG: “Ai, Ai, ai”, of “Close to home”.
BEST DIRECTION OF PRODUCTION: Sandra Hermida, “A monster comes to see me”
BEST ACTRESS: Anna Castle, by “The olive tree”.
BEST EUROPEAN FILM: “Elle”, of Paul Verhoeven.
BEST ORIGINAL MUSIC: Fernando Velázquez, “A monster comes to see me “.
BEST SPECIAL EFFECTS: Pau Costa and Félix Bergés, “A monster comes to see me”.
BEST SOUND: Peter Glossop, Oriol Tarragó and Marc Orts, “A monster comes to see me”.
BEST COSTUME DESIGN: Paola Torres “1898. The last of the Philippines”.
BEST ACTOR CAST: Manolo Solo, by “Late to the anger.”
BEST DOCUMENTARY SHORT: Juan Vicente Córdoba, by “Heads habladoras”.
BEST DOCUMENTARY FILM: “Fragile balance” of Guillermo Garcia-Lopez.
BEST supporting ACTRESS: Emma Suárez, “The next skin “.
BEST IBERO-american FILM: “The illustrious citizen”, by Gastón Duprat and Mariano Cohn.
BEST editing: Bernat Vilaplana and Jaume Martí, “A monster comes to see me”.
BEST SCREENPLAY, ADAPTED: Alberto Rodriguez and Rafael Cobos, for “The man of a thousand faces”.
BEST ORIGINAL SCREENPLAY: Raúl Arévalo and David Polished, by “Late to the anger.”
BEST ACTOR: Roberto Alamo, “God forgive us”.
BEST ACTRESS in a leading role: Emma Suárez for “Juliet”.
BEST DIRECTION: José Antonio Bayona for “A monster comes to see me”.
BEST FILM: “Late to the anger.”
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