Under the influence of the full moon was repeated on Wednesday night quintessential tragedy of Greek myth; which in its purest form periodically gives a leap of centuries into pasture news today. The stage at the Teatro Romano Extremadura capital, which opened the 61st edition of the festival with this version, was the altar where Ana Belen, transmuted into an insane Medea, sacrificed their children as revenge for abandoning his Jason, Adolfo Fernandez.
The work, based “ungodly” in the classic versions of Euripides and Seneca, had the stamp of Vicente Molina Foix, which introduces three new characters: the Preceptor (Luis Rallo), Creon (Poika Matute) and a nurse, played by Consuelo Trujillo, who was on the night of the biggest opening of the cheers. With and without permission of Ana Bethlehem.
After the function, the actress (who has merit parliaments marble) admitted that he felt “the warmth of the audience for my work.” “It was a magical night full moon. Jupiter with the force of war, Venus, with the power of love and these sacred stones have inspired us to tell this mythical story of how a woman can get revenge killing the born-yes. ”
However, the look of Molina Foix and José Carlos Plaza to this ‘Medea’ is “compassionate, nonjudgmental,” said Trujillo, whose character sums it up in one sentence: “From everything in this Earth has body and mind, we women are the most unhappy. ”
The work moves on two fronts: the heroic dream and the rawness of a crisis for a couple disappointed love. Medea, princess in the land, leaving all for Jason the Argonaut. Corinth followed up as wife of the hero and gives him two sons. The relationship between them is much more than cold when the show starts. He has already made the decision to take her away and marry the princess Creusa, daughter of King Creon, to ensure the future position of the children of Medea, wields.
This disbelief, impatient and angry beyond the limits of sanity. Returns to its time frame sorceress and a double revenge against Jason: kill the princess and kill their children thus losing the support of the Corinthian women who had pity on his misfortune.
The play, also starring Albert Berzal (Corifeo), Olga Rodriguez (Corifea), Leticia Etala (Creusa) and Horacio Colome (Young Jason), has another character: the mapping that gives life to the stones of the Roman Theatre, while the Nurse Medea and tell the story of Jason and the Golden Fleece. This is the only modern license that the director has chosen a classic scene start in every way, based on the text and the gestures of the actors contained only break the arms of Ana Belen is taken.
The Madrid actress concludes with this character, who will be on stage at the festival until Sunday and held from October tour, his trilogy of tragic women that began in 2007 with ‘Fedra’ and continued in 2012 with ‘ Electra ‘, under the direction of José Carlos Plaza. Now, with this character, transcends the Western moral and sentences that are not of this world allows: “I will be the woman who suffers no more be your memory of Medea Medea.”
The Festival. International Festival of Classic Theater of Merida has seen dozens of Medeas. This 61st edition, in fact, will be two suffering of love on its stones. July 15 will reach the Andrés Lima, with Aitana Sanchez-Gijon in the role of the unhappy wife. Before next Wednesday, ‘Socrates. Will premiere Trial and death of a citizen ‘, written and directed by Mario Gas and starring José María Pou work. Gas text is a reckoning with the present day, through the history of the Greek thinker: “Socrates is tried and convicted by his countrymen for having denounced corruption in Athens and have warned about the superstitious and manipulative role of religion official “, explains the director. The Socrates is a rare example followed today: he refused to flee, as he proposed his disciples, and stayed in Athens to meet his sentence. A cup of hemlock ended his life and led to the legend.
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