Saturday, October 31, 2015

Star Wars: Carrie Fisher Daisy Ridley suggests that ” Do not be a slave like me ” – The Press

Actress Carrie Fisher offered important advice to Daisy Ridley , one of the stars of Star Wars: Episode VII – The Force Awakens : do not let anyone put a slave outfit, no matter what

The two actresses participated in a talk to the latest issue of Interview magazine, where the remembered Princess Leia was described as the” predecessor “of character Daisy Ridley Star Wars , King, and therefore felt obliged to guide her now that fame is stalking her.

[Star Wars: what Harrison Ford said of The Force Awakens ]
In that vein, Carrie Fisher called Daisy Ridley to accompany her to Las Vegas with all the things that are presenting him as part of their participation in Star Wars: The Force Awakens . Such gifts, proposed the actress, “we will leave them in a mental asylum” and then leave as ordinary people of that city.

Also, Carrie Fisher told her young colleague as likely to become a sex symbol after Star Wars: The Force Awakens , an issue that bothers “a little” to the actress, largely avoid becoming “a slave like me.”

“You must fight for your team. Do not be a slave like me (…) Continued fighting that suit slave, “he said.

Just heard this last comment, a legion of fans of Star Wars he screamed in horror at the thought of not seeing Daisy Ridley with the iconic suit he wore the Princess Leia .

Star Wars: The Force Awakens will be released next December 18

too Lee ON Star Wars





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Friday, October 30, 2015

Jaime Gil de Biedma, unpublished, personal and political – Democrat

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Agencies. Madrid. “Now when I look at the number of accidents and crises occurring during this time, I suspect awake to what extent I not myself provoked and aggravated some other unconsciously. And it seems as if he had been running -huyendo something or running away from me. “

It is what reflected in his daily Jaime Gil de Biedma, at 32, on Saturday 19 May, 1962. That was the life of one of the most important Spanish poets of the twentieth century, whose blast is growing. And so it is reflected in the unpublished diaries that brings the book. 1956-1985 (Lumen), edited by Andreu Jaume, which includes an introduction and a big set of notes. The new writings are: journal of Morals’. 1959-1965 (the period of creative brilliance), Journal of 1978 (his life after the death of Franco and finding his literary drought) and Diary of 1985 (his confrontation with the diagnosis of AIDS). Complete diarística utobiografía recorded in Portrait of the Artist in 1956 (final title and uncensored published in 1974 as the Journal of seriously ill artist). The 665-page volume hit bookstores on November 5.

These daily complete the personal, intimate, intellectual and creative self-portrait of this writer born in Barcelona in 1929 and died in that city in 1990, with an unforgettable childhood in Nava de la Asunción (Segovia), paradise of his memories and his poetry. “It is a literary and moral biography from his youth and the awakening of his vocation to the confrontation with death,” said James. In addition, there are lights on the tardofranquismo clairvoyance and Transition. It is Gil de Viedma search of great poetry, visionary of Spain, writing in the moments that left her job as executive in the General Tobacco Company of the Philippines.

Conquistador muses

This is the real world of Gil de Biedma, whose reading it magnifies and produced in gratitude and awe reader. Thanks for sharing the creative process, the gestation and evolution of the poem surrounded by the ghosts of his life. Especially in Journal 1959-1965, which is the creation of Morals, one of his greatest poems. In those pages seen, Andreu Jaume explains in the introduction, “the meticulous compositional system, such an extreme slowness is actually very little contemporary. As a result, every poem has several layers that are usually dissolved in the ease with which the reader presses the phrasing, leaving in memory as an embryo grows and secretes sense over time, as you get older. ” See also continues Jaume, which is a schematic of the Journal … Portrait, “where Gil de Biedma was not so concerned about the image that comes to offer himself as because he wants to find out, learn and write. It is somewhat more honest “point.

The findings tone, music or transparency is difficult to see. It is an opportunity to witness the miracle of artistic creation. The pursuit of beauty is born of uncertainty, grief, loss, wounds, search and recognition of the self, the discovery of the ghost within him and his struggle to accept and overcome them.

A person who was more ambition “to become a great poet.” And it succeeds with less than a hundred poems. And always write because in the 70s you stop. His honesty is reflected in 1978: “Nothing sadder than knowing you write, but you do not need to say anything special, nothing in particular, or to others or yourself”

Franco and Transition

These are the years of disappointment. Of all. Franco died three years earlier, democracy is gaining, but Gil de Viedma and many of his generation and arrive tired, parched, and has been so long, big and exciting the expected reality seems smaller. The ghosts of the dictatorship still pursue. The poet dreams and sentenced to death. Repeatedly. “For the club this time, along with two others who knew damned but I do not remember. Driving a truck: traveling with us the executioner and the chair, “writes Gil de Biedma

About his gaze from the dictatorship type, the March 4, 1965:.” The Franco is but one qye ideological chaos, bonded by fear, and chaired by a person of enormous political cunning and incredible intuition up to now- where to spend the force lines that allow it to remain in the exercise of power. “

And Gil de Viedma sighting the situation when he dies the dictator: “The brakes of the liberalization process, once Franco disappeared, are basically two: 1) the tendency of every stablishmentpolítico to perpetuate such. 2) Much more important: the memory of the civil war and the fear of classes currently in power, if that fear is able to prevent any attempt of rightist political rationalization of a state of things will they still, in many respects, resolutely favorable “

Then reflect on the attitude of the Spanish society.” Maybe it’s optimistic, but I think that second factor can be lessened dramatically if the twelve months following Franco’s death does not occur no pop-and surprised me very much that occurs. “

Eroticism and happiness

Check your sentimental, loving and sexual life is much lower compared with the intellectual. Realizes some crushes, their stable relationships as couples when the May 31, 1961 writes: “L. disease that has kept him in his house, completely he demoralized me, echándome in arms erotic obsessions and excessive drinking as usual. Quite worried about this last -the increased my daily consumption of alcohol from eight in the afternoon. “

The little presence of erotic or sexual passages seems to be explained when the March 23, 1965, Gil de Biedma reflects, after receiving a letter from a friend with a profusion of sexual adventures, “I remembered my journal Manila, nine years ago, they appear entered under the same notarial candor and with the same enthusiasm details very similar, and I’ve come to realize how age changes our attitude to erotic activities. At age 25 considered almost mandatory to say what one likes to do, call bread bread and wine wine; . Now I think what to tell what one likes, if we all like to do the same and with a word we understand “

Gil de Bienda wrote the furtive happiness; the passage of time, which is time and its creatures in the dark. Of loving orphan. These unprecedented changes to show their conception of one of its major themes. Jaume has always said: “Reflecting on the experience of love is constant, as in his poems. And the important thing is that there is a gay poet, as is Cernuda or Cavafy. Gil de Biedma loved human beings, not causes. “

He was a poet who had a great awareness of his ego, his poetry world, and the same I crushed and deepens the feeling of helplessness .

In 1978 Gil de Viedma confesses: “But my happiness is nothing in the background of love and who love me, added to the to meet with each other, unexpectedly rescued from the routine urban, with nothing to do but enjoy the intermediate “

The ups and downs of his mind and his duel with their ghosts and demons carry lox recognize that it is happy with Josep, but writes.” What I have now discovered, being happy, with a certainty that has become increasingly more aware, day after day, is there a part of me that no longer want to live long. “

A privilege to know further . Gil de Biedma this muses conqueror and tamer of demons

Source: El País

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San Sebastián off 100 projects for European cultural capital – elmundoCR

October 30, 2015 / Author: Agency / Culture / No Comment

 sebastian

By Ana Lázaro Verde (dpa)

San Sebastian (Spain), October 30 (dpa) – The countdown to 2016 started in San Sebastian City Basque presented today to develop programming for their big year, which will be European Capital of Culture by the Polish Wroclaw.

The peace and coexistence are the backbone of a program that includes a hundred hundred projects and activities, engendered in collaboration with cultural agents of the city and also Europeans.

The art, dance, theater, film, music, architecture and gastronomy become in dish of enjoyment, but also in “therapeutic” tool in this city in northern Spain, for half a century affected by the Basque separatist conflict.

“The draft 2016 San Sebastian born from an everyday story citizens have lived with violence and our project aims to overcome this violence with a cultural program, “said its director, Paul Berástegui, during the presentation ceremony held in the new cultural space Tabakalera, former snuff factory of San Sebastian.

“San Sebastian 2016 makes a cultural commitment that transcend the celebration, an ongoing project and unfinished staged throughout the city: a more participatory and more free, mature, active citizenship,” said Spanish Minister of Culture, Inigo Mendez de Vigo, who was present at the official ceremony and delivered a speech in Euskera.

San Sebastian, or “Donosti”, as they call many of its inhabitants because of its name in Basque Donostia – was the town hardest hit by ETA. There nearly a hundred people

killed by the armed group, which sought independence for the Basque country. But even under the rain of lead, always noted for its cultural thrust, developed to coat institutions and events of international prestige, as its Film Festival, the Jazz Festival, the Kursaal, designed by Rafael Moneo or Chillida-Leku Museum, dedicated to the sculptor Eduardo Chillida San Sebastian (1924-2002).

Considered as one of the “pearls” of the Cantabrian Sea, the emblematic La Concha Beach, its bars of “tapas” and its landscapes and monuments each year attracts half a million people.

What is the goal of San Sebastian 2016 in a city with great cultural and tourist tradition?

“That citizens to equip themselves with tools and are able to create a framework of coexistence with a more respectful society with more solidarity the more egalitarian human rights, “he told dpa Berástegui, director of the project.

The program, which affects citizen participation is divided into three” lights “that” way possible lines of light “in progress towards coexistence. lighthouse life, Peace and voices

Following marine metaphor, San Sebastián 2016 (SS2016), also has “springs” that address close to the citizens to deepen critical thinking through art issues.

The food will also be very present and SS2016 will have its own “pintxo”, the popular cover featuring almost all the bars in town and that has become a hallmark. This is a review of the popular “gilda” created by renowned chef Pedro Subijana.

The European Capital of Culture is a title granted by the European institutions to one or two cities for a year have the chance to show their development and cultural life.

In this case, we can say that the route of San Sebastian 2016 has been long and complex. Full of vicissitudes and ups and downs.

Since the project began to take shape in 2008, it has adapted to political changes experienced by the Basque Country and the city itself. The most important: the announcement of the end of violence by ETA in 2011, just three months after San Sebastian became the capital

At the local level, by the City Council. been three mayors of three different political colors.

Getting sponsorship was also not easy, which made that part of Basque society looked to the project with skepticism.

Over the past days SS2016 offices were abuzz where dozens of people worked around the clock to get everything done in its implementation.

“I hope that now that the program is visible and tangible, is rescue that could disappear connection (between the project and the citizens). People will want to get this right, “he told dpa Eneko Goia, mayor of San Sebastian.

On the street also some excitement palpable this week. “It seems to me that San Sebastian is phenomenal European Capital of Culture”, assured dpa Pilar, a woman who, at 76, bathes every day on the beach of La Concha. Hot or cold.



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Sergio Dalma, “I wanted to shake off the image of Uncle gray” – Minuto30.com

Sergio Dalma component retrieves the rhythmic guitar and his beginnings with “Galilea” or “Life begins today” in a “positive” album, which parks the Italian sound with a more Anglo-Saxon and cool the hand of composers such as Pablo Cebrian, Conchita, Vanesa Martin and Ivan Ferreiro.

 Fotograf & # XED; to Warner Music provided by singer Sergio Dalma that in an interview with EFE he has spoken of & quot; Dalma & quot ;, his new album in which retrieves the m & # XE1 component; s r & # XED; tmico and guitar of their beginnings with & quot; Galilee & quot; or & quot; Life begins today & quot; . EFE / MIGUEL PEREIRA
Sergio Dalma. EFE / MIGUEL PEREIRA

“It’s still a romantic album with songs of love and hate, but much more optimistic, because I wanted to shake off the image of gray uncle, who has nothing to do with me, “said the musician about his new album, ” Dalma “(Warner Music).

It is not free to Sergio Capdevila (1964 ) chose his stage name to label this work, the eighteenth album of his career, because, on the one hand, has been more involved than ever in the process, both in directing choirs and the evening set the tone in the production.

There is also his song, “This time,” and said that the album as a whole has allowed him to “resolve all concerns” that came eating away at him to find a new sound and display more records and nuances in the voice.

After three consecutive albums produced in the way Cadore Milan next to producer Claudio Guidetti (“ Via Dalma “, “ Via Dalma II ” and “Cadore 33″), musician felt that perhaps was abounding too in the Italian sound.

“This is a shot of renewal,” he says, before recognizing that is strongly marked by the spirit of the compositions of Pablo Cebrian, who also serves as producer here.

His is “ You and me “, the first single, a cut that could well be the work of the Irish band The Script and that provoked an almost unprecedented unanimity among all its equipment and cover letter.

“It has a special magic and pretty much sums up the spirit of the album, which generally has an atmosphere very British, very Coldplay bridging the gap, “says Dalma, who pointed out that” it was not flee the Italian sound, “at least not entirely, as there more continuistas cuts like “You start again”.

“Dalma” There are more resources and less time ballads, but including most notably the case of “Nothing is equal. “” I think it is the roll (type) of ballad that I have to start offering from now, “he says confidently.

It should also be thinning” If all I feel You could sing, “which is the product of an unprecedented and unexpected alliance with composer and performer Ivan Ferreiro.

” I met him at Mexico taking a few tequilas I told him if I could make a song. I think the result is one of the jewels of the disc. Is Dalma, , but the essence of the author’s note and that’s what makes you go, “he says.

Cortes as ” you “ recall more the interpreter never “Galilee”. “For me, that comment is good, because my beginnings are very present and have never given them back. For me this is not going backwards, because there is an evolution, “he says.

In the months ahead, Dalma is busy promoting the album between Spain, Argentina and Mexico from February but give the starting signal for the new tour.

By Javier Herrero. EFE

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Clean installation of modern art, thought was rubbish – El Diario de Coahuila

Friday, October 30, 2015

  Bolzano, Italy (Agencies) .- The work effectively simulated the remains of a party, and contained cigarette butts, empty bottles of champagne, garland falls, and other festive elements, but now the only place you see the empty apartment and a sign indicating that the installation is no longer available.

  The piece, called “Where Shall We Go Dancing Tonight?” (Where can we go dancing tonight?), Was created by the artists Sara Goldschmied and Eleonora Chiari, and represented hedonism and political corruption of the 80s in Italy.

  The museum staff said the remains of the plant were collected separately, so the reconstruction of the work should be seamless <. /> p>

  Also made their release on the incident: “I always warn the cleaning staff of the museum that does not clean anything of art … On Friday there was an event and told the staff they only collect garbage, and leave the rest of things as they were, “said the curator Letizia Ragaglia.

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Amaral:’Somos absolutely mainstream’ group – Puranoticia (Press Release)

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“We are a group absolutely mainstream, it would be ironic to say we’re an underground band,” said Juan Aguirre, guitarist duo Amaral, who this Friday publishes a new album, four years after the publication of ‘Into the Wild’.

The title of this new work is ‘Nocturnal’ and its composition has expanded in the past four years, between concert and concert, in response to the vital need to have to write, as explained by the band on Thursday during an interview with Europa Press.

As highlighted Eva Amaral, the tour is his last album “One of the best” reminiscent, but also one of the longest, with visiting places they had never been, which fed his songs, to which they had jet lag on his return to Spain adds and mitigated through the composition.

As for the new sounds of ‘Nocturnal’, Aguirre explained that the band has always given importance to the melodies and the way in which words sound, but this time have been open to the sounds related to the pace and, among the styles that have influenced your conception of the songs, hip hop quotes.

As for the lyrics, Eva has indicated that He has always been concerned about the letters that make up 50 percent of their songs. In this regard, experimentation has focused on the tone of voice, because many of these songs tell intimate experiences and consider a more serious tone can bring more “truth” to the message.

The band It aims to bring a halt to devote himself to writing songs, because it is something that comes naturally and they do “constantly”. “We need you compose to express, not suppress us but we should organize ourselves,” he acknowledged.

In this sense, Juan Aguirre added that they always have “the same”, since they were “children” without knowing why pick the guitar, something that gives them pleasure. Furthermore, it stresses that no profession has become.

Amaral has already released four albums under the Antarctic seal, they created when EMI disappeared. As pointed out, this has not changed his way of dealing with new material and actually say they still feel the same “vertigo” and have the same “creative freedom”.

Asked about the group’s future Eva has indicated that they have never thought about it: “We filmed by inertia, we do not recreate the past, but only in the desire to play and how they will raise the textures of the album”. That’s one of the challenges that the band has now ahead, since, as pointed out, will not be easy to carry this work to live.

Pn / cp

AGENCY ONE

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Thursday, October 29, 2015

Books, “we deserve offenders” – AnsaLatina.com

By Monica Uriel MADRID, 29 (ANSA) – The writer Eduardo Mendoza said today that Spain has “the criminals who deserve” presenting his novel “The Secret model lost”. His new work is the fifth installment of the mad detective and unnamed Mendoza (Barcelona, ​​1943) began with “The Mystery of the Haunted Crypt” in 1979.
“The secret of the missing model” (Seix Barral) the writer goes into the “dark goings of the powerful” as the detective solves the murder of model and shows the evolution of Barcelona in the hands of a greedy government.
“I do not know if we have rulers deserve, but we deserve offenders. a very small time crooks Instead of making financial lampistería financial engineering, “said Mendoza, referring to politicians and corrupt businessmen in the book presentation
writer. Barcelona shows 30 years, without tourists, when La Pedrera, designed by Antonio Gaudi, nowadays one of the most visited places in Barcelona, ​​where he presented the book, was an abandoned building, and then comes to the city today, “Gone tourist destination worldwide.” When he walks along the Paseo de Gracia is no longer friends of his youth or military service. “Now you are no longer anyone or in your city or your race”
In his novels “there is always irritation by advertising this touch of Barcelona, ​​city celebrations and conferences “when in fact it is” a city with many problems and conflict, with potential to become something terrible behind his mask of kindness. “
His detective, also starring in “Labyrinth of olives”, “The Adventure of the ladies” and “The entanglement of the bag and the life”, “manages to do almost everything, travel, sleep, eat, no money. Nor have telephones” and not having no name because that wanted the writer. Asked if his detective imagines a republic Catalan capital Barcelona, ​​responded that it was not imagined that “novelists will harrows reality.” Mendoza
the central character of his novel is Miss Westinghouse, “which undergoes an evolution of Civil Guard, a transvestite and defender of the motherland. A rather symbolic character of all of us because it dances to the tune of,” he said.
Mendoza, who began his literary career in 1975 with “The truth about the case Savolta” he thought to write his memoirs, “but I saw that my life was very boring, nothing happened to me interesting, so I decided not to write.” UR / ACZ

29.10.2015 18:01


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Meet the first transsexual to win the ‘Next Top Model’ competition – quien.com

Loiza Lamers is the Dutch that made history because it was the first transgender to win the competition of reality.

The model has just 20 years and is now consolidating his career on the catwalk. Photo: instagram

Loiza Lamers is the Dutch model 20 who has just become the first transsexual person to win the Next Top Model contest . Among other things, this makes acredora a contract with the agency Touché Models , worth 50,000 euros.

At the beginning of reality, the participant did not disclose that he was born as a man, but ended up confessing when rumors began to circulate about her sex change. “I felt woman since I was very small, at 6 or 7 years already in talks with psychologists to whom I explained my situation was an interpolated woman in a man’s body”, he confessed.

The model now started in the world of beauty at an early age, it is professional stylist in his native Holland, and now managed to crown a winner, which has inspired the transgender community.

The contract award includes 50,000 euros. Photo: Instagram

“When I announced that I was born a child, I knew it would draw attention Fortunately I have only received positive and nice reactions from people . “he explained.

Related Notes:

Lamers has followed the footsteps of Isis King , the first transgender model who appeared on the show and who says he has been the person who has inspired me to get where he is.

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Bilbao: recórrela walk to discover what is hidden – Trade

By Lorena Tord

The route begins at the Guggenheim Museum Bilbao , work study Frank Gehry, built in the nineties. Enter the venue is like entering a magical world, a space that defies laws of gravity with Puppy sculpture, Jeff Koons in entry and unmissable room Permanent Richard Serra.

After we left the museum to see the shocking spider sculpture “Mother” of Louise Bourgeois, and still below the Salve Bridge along the promenade Uribitarte to the bridge Calatrava symbol “new” Bilbao. From this icon will be appreciate the buildings Isozaki Atea, architect Japanese Arata Isozaki.

(Flickr / Fernando Jimenez)

Be aware that the Left Bank is where the city grew from the nineteenth century, while the right edge represents the sources Bilbao . So after watching the modern touches back in time, take right path and reach the town hall, opposite which is the sculpture “Alternative ovoid in occupation of the area.” It will turn after the ride sand, a route with beautiful houses historical, the baroque church of St. Nicholas eighteenth century and the legendary Teatro Arriaga .

(Flickr / Angel)

After going down the street Mail to enter the Casco Viejo. This villa was born 700 years ago and has not lost its character. This historic medieval center includes called “seven streets”, with beautiful churches as the Gothic cathedral of Santiago. The spirit of a small town is the one feel. A village where children play and the neighbors talk.

At the edge of the estuary is the Market Bank and San Anton bridge, which is in the same place since 1300. From here we can see the houses and balconies district retrieved from Bilbao Old, that can be seen from across the river and where new trends are born.

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A short walking tour of Bilbao – The Nacional.com

The route begins at the Guggenheim Museum Bilbao, designed by Frank Gehry studio, built in the 1990s enter the venue is like entering a magical world, a space that defies the laws of gravity with sculpture Puppy, Jeff Koons at the entrance and missed Richard Serra permanent living.

On leaving the museum you can see the striking sculpture of the spider “Mom” by Louise Bourgeois, and keep walking below Salve Bridge by Uribitarte walk to the Calatrava bridge, symbol of the “new” Bilbao. From this icon you can see the buildings Isozaki Atea, the Japanese architect Arata Isozaki.

You should know that the left side is where the city grew from the nineteenth century, while the right edge represents the origins Bilbao. So after seeing the modern, plays back in time, take the right path and reach the town hall, in front of which is the “Alternative ovoid in occupation of the area” sculpture. It will then turn ride sand, a route with beautiful historic homes, the baroque church of St. Nicholas of the eighteenth century and the legendary Teatro Arriaga.

The route follows the street E to enter the Old Town . This villa was born 700 years ago and has not lost its character. This historic medieval center includes calls “seven streets”, with beautiful churches like the Gothic cathedral of Santiago. The spirit of a small town is the one that feels. A village where children play and neighbors talk.

At the edge of the estuary is the Mercado de la Ribera and San Anton bridge, which is in the same place since 1300. From here you can see houses and balconies recovered Bilbao la Vieja neighborhood, seen from across the river and where new trends are born.

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About one million people accredited for the IX Film Festival – ElPeriodico.com.do


 
 

 

 

Nearly a million people were accredited to the IX Film Festival

Madrid, (EFE) .- A lack of one week to start the IX Film Festival nearly a million people (989,934) were recorded via the Internet to participate in this new edition will be held on 3,4 and 5 November, with tickets at a reduced price of 2.90 euros.

The figure exceeds 33% of enrollees October issue of 2014 and 54% at May 2015, have today announced the representatives of the film industry in a press conference at the Film Academy.

“Film Party It has draft, and we made our film lovers enjoy it. It is a credit to all, a group of producers, distributors and exhibitors working to offer cinema giveaway price and meet the fans, “said Juan Ramon Gomez Fabra, president of the Federation of exhibitors, FECE.

A total of 353 cinemas across Spain (3,036 screens), which account for 95% of existing ones, have joined the promotion that requires prior registration on the web fiestadelcine.com, except in the case of children under 14 and those over 60, you can buy tickets directly.

Here, as usual in recent editions, can be purchased at the box office, ATM or internet theaters, which no longer images are often long lines of the first film festivals.

The objective is marked organizers reach 2.5 million viewers over the three days of discounts, which It would exceed the 2.19 million tickets sold in October 2014.

In May 2015-the feast is celebrated every six months from the last year the number of participants fell to 1.6 million, which the organizers attributed to seasonality and also considered a good result.

In general, the context today that they have drawn representatives of the industry is optimistic. If throughout 2014 were sold in total more than 84 million admissions in Spain, expectations indicate that 2015 could close in 90 million.

Also the producers, grouped in FAPAE have ratified the confidence in “changing viewer’s perception regarding the Spanish cinema”, has said its president Ramon Colom, who has attributed the success to the joint efforts of the whole sector, including television.

The share of Spanish cinema screen now amounts to 15%, announced Colom, even less than the 24% figure last year, but could still grow until the end of the year.

Respect the persistence of VAT to 21% and its effects on the sector, the head of the Film Institute (ICAA), Lorena Gonzalez, said he sees it as “a failure”, since there is a competition of the ministry Culture, but Hacienda.

The sector already lost the legislature in this respect.

Colom has opined that the Minister Cristobal Montoro “is not aware of the damage done people of theater, music and cinema “and stated that when the new government comes after the December elections,” the first thing is to ask more money “to ensure the functioning of the new funding model approved this year.

Fabra has insisted that lowering the tax culture is a permanent claim. “We expect the next government to be more sensitive than the present”, he said.

In addition to industry representatives, the presentation ceremony of the IX Film Festival actors and directors have come from films these days are in the lineup, as Alex de la Iglesia, Carmen Machi and Pepón Nieto, of “My great night,” Cesc Gay and Javier Camara, of “Truman”, Eduardo Noriega and Andrea Duro, from “On Wednesdays there are no” and Goya Toledo, for “Unknown”. EFE

 
 

 

 

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Phil Collins will record an album after 13 years of silence – The Observer

The British musician Phil Collins announced in an interview published Wednesday by Rolling Stone, which plans to start recording a new album next month, 13 years after his last album with original songs.

The singer and drummer 64, who in 2011 announced his retirement from music, expects to release new material after launching in early 2016 remastered some of his old jobs.

“If people rediscover things before and shows interest idiot would not do music,” said Collins

“Officially, I’m not retired. The horse is out of the barn and I’m hoping to get going,” said the British musician., said the musician. Collins confessed to the publication that the period has passed without compromising left him “plenty of time to think”, which went through “dark” stages and took “too much”.

“I’ve killed hours watching TV and drinking, and it almost killed me. But I have drunk in the past three years, “said the composer, who can not play drums since some dislocated neck vertebrae during a tour in 2007 with Genesis, his . old band

The musician says he is planning a tour, “My children now have ten and 14 years and want to see what his father does,” noted Collins, who ruled for the moment, a new reunion with Genesis. “I love the kids, but I’d rather do this first. For now, we’ll see how things go,” said

.



Top 5


Source: EFE and The Observer

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Street Fighter 5 will be released on February 16, 2016 – El Universal (Venezuela)

  MANUEL RUBEN TRUJILLO
  | UNIVERSAL
 

Wednesday October 28, 2015 7:45 a.m.

Caracas -. The company Capcom, creator of the acclaimed Street Fighter series, announced that the eBooks by Title” Street Fighter V “will be released on February 16, 2016 and will feature a cast of 16 characters plus 6 downloadable. This was announced by the company yesterday in Paris Games Week 2015

One of the remarkable news of this new title is the inclusion of veteran fighter Dhalsim, one of the most bizarre but fun characters fighters.

In the early hours of today had leaked information relevant to this issue and what Capcom did was confirm the information revealing the release date of the game.

Capcom released this year a version Test the game for PC and PS4 platforms, which had some of the classic characters of the saga as Ken, Sangief, Vega, Ruy, Chun-Li and Mr. Bison. In the beta also incorporated some of the less recurring characters in deliveries as Rainbow Mika, Nash (which came to life in this release), Birdie and Karin.

Of the new additions can highlight the Necalli characters, Rashid and Laura.

To access the game’s official website and beta test the game entered here

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“The vagaries of luck,” the literary testament Baroja – The Democratic

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Agencies. Madrid. A gray folder with two red ribbons tied keeps literary, sentimental and ideological testament to John Doe, which today has presented in Itzea, home of the Baroja in Bera (Navarre). It is titled The vagaries of fate (Espasa). The values ​​of this work are many: it was the last novel he wrote the San Sebastian author, he is the last unpublished novel, is the story in which the author draws on his experience of the beginning of the Spanish Civil War (his arrest, fled to France and Planning to stay in America) and it closes his trilogy on the Civil War called Saturnalia, consisting of The tramp singer (1950) and Miseries of War (2006 ), where the main character of this literary event unpublished novel and the dawn first appears.

John Doe (San Sebastián, 1872-Madrid, 1956) focuses this time, after the war and World War II in Paris with very autobiographical overtones. Chronicles the journey undertaken Luis Goyena and Elorrio, a journalist and writer, a kind of alter egosuyo to flee the shreds of life that has been converted Spain. First make the journey on foot from Madrid to Valencia, so that makes it to Paris, with the dream of finishing in America. But then, in Paris, John Doe appear, identified as “an old gentleman of the Palais Royal,” which will give its opinion on topics such as the Germany of the time, Nazism and France, and will change your perception towards these issues.

This is a very Baroja novel passages as the start which introduces the characters in a very real way and describes the desolate landscape that he sees as it crosses the country. It is also a novel of ideas where in the various conversations of the characters, especially the protagonist, Baroja belies his literary theories and opinions about communism, the Spanish and the English, the society, the people of the time, optimism, . Friendship, mediocrity and love and heartbreak

“The vagaries of fate has always been located in my family, but had not been published for several reasons: first for fear of Francoist censorship; then in 1972 we started publishing all his work until it appeared in 2006 miseries of war, censored by the dictatorship in the early 50s, until three years ago when Jose Carlos Mainer preparing the biography of Baroja, we proposed The edition of this book which closed Saturnalia “says Caro-Baroja Pio Jaureguialzo, nephew of the writer of the twentieth century classics as The Tree of Knowledge. What does the library had John Doe in Itzea mansion on the banks of the stream of Xantelerreka.

The original of The vagaries of fate has 276 pages plus appendices, which are editing Espasa 190 pages plus an introduction by José-Carlos Mainer. It is the third version: the first is the lost manuscript, the second is the work typed in blue ink and the third is the same but with dozens of deletions, corrections, additions and addenda made in the handwriting of John Doe with black pen. Actually, the first three pages are handwritten and the other pages are typed in landscape way, it was like Baroja used to, whereby each line was longer and allowed rapid progress to rotate less roller machine. The transcript has made Ernesto Viamonte and editing and introduction Mainer, editor of the complete works of Baroja, Galaxia Gutenberg.

Baroja wrote this novel, and the draft Saturnalia, between 1949 and 1951, in his Madrid home of Ruiz de Alarcon Street, number 12. “He lived his internal exile after the Civil War happened abroad. In 1950 he published The vagabond singer, then he sinned naive and presented Miseries of guerraque was censored and maybe for that reason decided not exposed to the whims of fate, “says Caro-Baroja.

The novel It is in Itzea because that is where everything concerning the Baroja is. A house upholstered 40,000 books which bear no clothes closets but books. Bubbling Spain disenchantment of war and postwar, John Doe just returned to his paradise Itzea very sporadic and timely manner. The last time was in 1955, a year before his death. His walks through the Navarra countryside substituted the Retiro Park in Madrid, close to home.

In Itzea surprised Baroja the uprising of 18 July 1936. He was national area. The writer was arrested, almost shot, but was eventually released. On July 22, his nephew Julio went five-kilometer walk across the border with France. Then again. But it would be installed, mainly in Paris. This physical, intellectual and spiritual journey is the novel The vagaries of fate. There are three of its major themes: his obsession with the Spanish conflict and theories of their cases, the presence of a frustrated love and direct style, clear and free of rhetoric. And a desire to travel to America. “That is the central debate of the novel, the protagonist who lives between travel or stay,” says Caro-Baroja.

The vagaries of fate confirms and extends, according Mainer, “absolutely negative view of the Civil War. Baroja was considered outrageous and that the fault was largely the democratization of politics and the politicization of Spanish society, including the Republic, where the major victim was the bourgeoisie. “

unpublished novel, says Mainer, born and comes from the whims of fate, a short novel of the early forties; develops and eventually becomes large in the book now found, The vagaries of fate. To him also two new born Baroja works: The Swan hotel and here, Paris. According to Caro-Baroja no more unpublished fiction. Are some sketches and essays

This work closes Saturnalia, in clear reference to mythological Saturn devouring his children, opens with a prologue. “Some people suspect emborronadores -the paper that we are suspicaces- who wrote this book, half seriously, half in jest, was Luis Goyena and Elorrio. It is said that first gave him the title of the dance of death … “

Source: El País

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Wednesday, October 28, 2015

Camprubí Zenobia, a woman who lived and existed outside the great poet – Blasting News

In the literary market , which has now become the less turbulent, has begun to set a small illuminating halo on the figure that was wife of the poet Juan Ramon Jimenez, Zenobia Camprubí . That someday remained in the shadow of the great poet, today, has to demonstrate that, far from being an underlying figure of the poet, was a woman of firm principles and shaped personality.

The new blank page , which has come to be written, and has changed the image we had of the companion of Juan Ramon Jimenez, is called Zenobia Camprubí . Journal of youth. Writings. Translations . In this posthumous release, which includes 27 unpublished poems, Zenobia can see a far cry from what we saw, knew and read long ago. It has nothing to do with the woman who always remained very discreet flat, backlit and secondly the great poet. Zenobia Camprubí. Journal of youth. Writings. Translations can see a Zenobia it, and it was before I met him, and there is no poet.

In the new book we can see how, through his poems, and will not only erecting a personality that then we’ll see outlined in life with the poet, but also a magnanimous poet with a voiceover notoriously substantial.

We are now at the preponderance of the poetic voice of Zenobia Camprubí and not the poet. It is at this time when we realize how the same Zenobia, when he lived with his mother, appeared before the samples elusive affection and pampering by her mother; I am asking you not to make many emotional samples. This banishment own affections of a mother, we will see reflected in the subsequent behavior with the poet with the life they had in common, in which she voluntarily, focused on the life of this-and many may understood as a way of bowing, but she understood and felt, as a true act of love.

This beautiful voice, very little has been enjoying, went out, leaving just the warm flashes of blue, typical of a flame that goes out, the October 28, 1956, once saw fulfilled its work towards Juan Ramón was done, granting the Nobel Prize and loved him without effective measures.

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